In this chapter Hugill discusses how the notion of creating music has expanded from how it used to be, no longer confined by traditional classic instruments into other ways in which was once unimaginable to the ear.

Hugely here touches on reasons as to why we make music. Asking us perhaps what the music is for. He explains to us that “music has an effect or a voice and, for many people, music has a meaning” According to Hugill (2007, p.99)

He discusses factors which may hinder a musics intent and message. He discusses how emotion can be a wall in trying to actually express it. “When you try it , the emotion itself gets in the way of the rational thought needed to organise materials and equipment.” According to Hugill (2007, p.100) He also argues that a lack of context will prevent the piece of music from getting the message across. He states how the “listeners perceptions of this relationship will depend partly upon their knowledge of the two contexts and partly upon their abilities to deduce from the aural evidence.” According to Hugill (2007, p.100) This quote intensifies that the overall feeling we get from a piece of music isn’t derived solely from the music itself, but rather understanding the context and ideology behind the song.

Hugill than discusses structuring principles. He states that “the key importance of a structuring principle is to engage the listener in a meaningful discourse which leads to some kind of perception of organisation” According to the quote, a well-structured piece of music—or any kind of art—should provide the audience a sense of coherence or organisation. This arrangement facilitates the listener’s understanding, deeper engagement, and perception of the music’s organisation or meaning. For the listener to perceive the music as a cohesive whole, even if it is experimental or out of the ordinary, there must be a guiding element.

Bibliography

Hugill, A.H. (2007) The Digital Musician. Routledge; 2nd edition